[This is part of a continuing series on the art of writing fiction.]
Well, it’s spring. And that means it’s time for some basketball and some musing on the art of writing fiction.
Way back when, I used to play basketball. And one of the first things you learn is that you don’t shoot every time you get the ball. What you do is quickly assess the situation and either go for it or pass it on to the next guy. That’s called “shot selection.”
Guys that don’t have good shot selection tend to throw up anything and don’t make many shots. A more effective strategy is to pass when you know the defense is tight—to an open man in the hope he’ll get off a better shot.
So, what the hell does this have to do with writing?
Simple. I’ve noticed lately that I’m a bit too quick to throw up anything to see if it will make it in. That is, I’m far too willing to pick an idea that is half-way there and flesh it out into a full story, edit it and submit it. I don’t stop to think—“Hey, maybe I shouldn’t try to do this right now”—and pass on taking the shot.
OK. End of extended sports metaphor…
So…this means that henceforth, I’m going to focusing on developing (writing, editing, submitting) drafts of stories that move me, that I want to write. That I have to write. Rather than stories I think are clever, or have a neat idea or will find a home somewhere.
What prompted this was a book I found as I was browsing in a used bookstore last week called The Best and the Brightest by David Halberstam. There’s a discussion on the first page of the preface where Halberstam asks a more seasoned writer: “What makes a best seller?” The author considers the question for awhile and answers:
“A book that burns in your belly—something that has to be written before you can go onto anything else.”
That’s great, isn’t it? All those secrets that marketers and publishers and agents want to know boiled down to one cold, hard fact.
Well, that’s what I want to write. And I have a few short stories—maybe 3-4 that are burning in my belly right now. Nothing more, nothing less. I want to get those done and in the submission process. Then, take a quick look around me and assess what else is burning in my belly—be it a novel or story or play—and write that and only that. I want to put the emotion and the desire first. Not second or third or somewhere further down the list. And I don’t want to worry about what will follow.
That’s the only way to do it. Always has been, always will be.
See you next time,
2 thoughts on “The Craft: Shot Selection”
I’m thinking of this post and your past advice to put “black on white.” I guess this means that you’re in the enviable position to have enough ideas that you can let some continue to develop while still pushing forward with the ones that are pushing back.
I do seem to have a number of new ideas. Some are “meh,” some are decent and some, I think, are quite good. I can’t say if this is unusual or not. Some ideas just seem to mature and blossom over time. Starting out good and becoming great. They seem to attach characters, settings and plots to themselves. Other ideas start off good, but just stay there and don’t develop. I hope that explains it? I don’t quite understand it myself, but the good ideas seem to rise to the top.